The Design and show flow was set within a forced perspective Cathedral surround. At the BCPA, the show from the mid-stage drape down needs to be able to strike within an hour always creating layout challenges. The decision early on was made to have the cinematic show flow with wagons, flys, slider panels and an upstage bridge making full use of the proscenium stage. This left open a vast floor footprint for the larger dance sequences as needed, but then could iris into the more intimate scene work.
Director: Patrick Fitzwater
Choreographer: Trent Soyster
Scenic Designer, Projection Designer, Dressing: Sean McClelland
Lighting Designer: Clifford Spulock
Costume Designer: Costume World, Coordinated by-Rick Pena
Sound Designer: Patrick Fitzwater
Technical Director: Timothy Dickey
3D Model Scenes Fly Through
Geometry: Vectorworks 24 / Rendering: Lumion 24
FULL CATHERDRAL RENDERING
POLICE STATION RENDERING
IN-1 SLIDERS RENDERING
DIVE BAR RENDERING
CONFESSIONAL RENDERING
CURTIS'S OFFICE RENDERING
EDDIE'S APARTMENT RENDERING
GROUNDPLAN
SAMPLE DRAFTING
SAMPLE PAINTER'S PLATE
SAMPLE PAINTER'S PLATE
Reviews:
https://wtlgomag.com/2024/02/06/review-the-glittery-gloria-of-sister-act-at-the-broward-center/
" Set against a backdrop of stained glass window panels, Sean McClelland creates a scenic design that effectively takes the audience through the almost cinematic transitions of story beats with minimal disruption. Utilizing projection design behind many impressive, practical sets the show creates fully fleshed out scenes and environments that truly elevate this production. " -Jon Manarang
